Yet another mixed bag of viewing from classic westerns to Asian fantasy/horror, black comedies and science fiction, musicals and monsters.
Like a monumental battle between formidable rival kaiju, Criterion and Arrow have released competitive Blu-ray sets devoted to Japanese monster movies. Criterion’s Godzilla: The Showa-Era Films 1954-1975 and Arrow’s Gamera: The Complete Collection offer eight disks of monster mayhem in packages too big to fit on my shelves. Binging more than two-dozen of these movies dragged my brain blissfully back to childhood.
Pete Schuermann’s The Creep Behind the Camera (2014) is an odd hybrid, begun as a documentary and incorporating interview clips, but mostly a dramatization of the story of Art Nelson aka Vic Savage, a talentless sociopath who dreamed of being a movie director but was sunk by a lack of talent and his own increasingly violent sociopathy. Synapse’s Blu-ray includes along with the feature, a wealth of extras including a 2K scan of Nelson’s no-budget monster movie The Creeping Terror (1964).
A pair of Blu-rays from England showcase the final works of major artists who were considered at the time to be in decline: Laurel and Hardy’s last feature, Atoll K (dir. Leo Joannon, 1951) is a bittersweet mess which captures the Boys’ enduring charm while making their mortality all too clear, while Fritz Lang’s The Thousand Eyes of Dr. Mabuse (1960) comes full circle by reviving his Weimar criminal mastermind in a Cold War context which paved the way for James Bond’s high-tech thrills.