Video Nasties, Part 3

There is a long, if not necessarily venerable, tradition in the arts of creating confrontational, deliberately offensive work to challenge received ideas and to make people conscious of their own conventional assumptions. When work like this is created, it doesn’t make a lot of sense to get indignant at people who are genuinely offended; in […]

Blasts from the past

Sophie Compton & Reuben Hamlyn’s Another Body (2023): deep-fake porn and stolen identity

Summer grab-bag, part two: Vinegar Syndrome

Cinefantastique: nostalgia for print

Michael Powell’s Peeping Tom and other horrors

>