If anything, my viewing seems to be becoming more random these days. I mean to apply some order to what I watch – to view the new Silent Naruse set from Criterion Eclipse, or the Columbia Sam Fuller Collection from two years ago which I recently got hold of – but there are so many […]
I don’t spend a lot of time these days wondering why my personal taste in movies is so often completely out of sync with popular and critical opinion, but every now and then something comes up that makes me pause for a moment. On Friday, I went to see J.J. Abrams’ Super 8, even though […]
Given the vast differences between the written word and the moving image, it’s not surprising that the translation from text to screen can sometimes produce strange results. David Selznick treated source text as gospel, using Margaret Mitchell’s novel as a virtual script for his massive and very popular 1939 adaptation of Gone With the Wind […]
Many of us who live in relative urban comfort enjoy experiencing a vicarious struggle for survival through books and movies. This goes back at least as far as 1719 and Daniel Defoe’s Robinson Crusoe (how many times has that been filmed?). Crusoe, like many wilderness narratives, focuses on an individual separated from society, having to […]
I envy Marc Isaacs. Not just because he’s one of the best documentary filmmakers now working in Britain (or anywhere, for that matter), but because he’s found a sympathetic producer in Nick Fraser of the BBC who understands what Isaacs is doing and encourages and supports him in his work. After the past few years […]
With the Steven Spielberg-Peter Jackson motion-capture version of Tintin due for release next Christmas, the British Film Institute has shown good timing in unearthing, and releasing on all-region DVD, the only two live-action movies ever made featuring Herge’s quiff-haired boy reporter. Apparently, Herge himself had been dissatisfied with previous animated adaptations and approved of plans […]
Given that this week filmmaker Matthew Rankin is back at Sundance with a short film for the second time in three years, he would probably be annoyed if I mention that I first encountered him as an odd, ferociously precocious 14-year-old, when he walked into the offices of the Winnipeg Film Group intent on signing […]
Although Britain’s Hammer Films was first formed in the 1930s, initially in an attempt to expand a theatre chain into areas of production and distribution, only five films were made before the war – comedies and mysteries. Production resumed after the war with more comedies, mysteries and thrillers. It was 1953 before the company took […]
In his December 26 New York Times column, Frank Rich calls our attention to a fascinating “home movie documentary” called Disneyland Dream. Shot by a Connecticut man named Robbins Barstow, a diligent amateur documentarian who apparently made numerous films about his family’s life and activities, this particular work was named to the Library of Congress’s […]
It was unfortunate that until the very end of his career, the Japanese director Kinji Fukasaku was known in North America mostly for his worst film: The Green Slime. This was an “international” production, shot in Japanese studios with an American and European cast, a very bad script and even worse special effects. But even […]