Italian murders and Ninja intrigue from Radiance

Souvenir "art" becomes an instrument of murder in Luigi Comencini’s The Sunday Woman (1975)

Recent Radiance releases include a pair of Italian police procedurals – Pietro Germi’s neorealist noit The Facts of Murder (1959) and Luigi Comencini’s satire on bourgeois hypocrisy The Sunday Woman (1975) – and some traditional and new wave martial arts from Japan with Yasuharu Hasebe’s pop-art Black Tight Killers (1966) and a set of the first three movies in Daiei’s Shinobi series of bleak Ninja movies, Satsuo Yamamoto’s Band of Assassins (1962) and Revenge (1963) and Kazuo Mori’s Ressurection (1963). And speaking of Ninjas, Neon Eagle have released a deluxe two-disk set of Godfrey Ho’s patch-job Ninja Terminator (1964) and the original Korean movie cannibalized by Ho, Kim Si-hyun’s The Univited Guest of the Star Ferry.

Spring 2024 viewing, part two

A strange young woman disrupts a middle-class home in Go Yeong-nam's Suddenly in the Dark (1981)

Continuing my survey of what I’ve been watching this Spring… Mondo Macabro Mondo Macabro is a label I haven’t mentioned much here, though they specialize in genre movies from around the world and I’ve discovered some real oddities through them – like H. Tjut Djalil’s Mystics in Bali (1981) and Juan Lopez Moctezuma’s Alucarda (1975). […]

Johnnie To’s The Heroic Trio/Executioners (1993): Criterion Blu-ray review

Flights of martial arts fantasy in Johnnie To & Ching Siu-Tung's Executioners (1993)

Before attaining international critical success with a series of cool, formally precise thrillers, Johnnie To made a pair of wildly inventive superhero movies fraught with anxiety about the approaching hand over of Hong Kong to Chinese control in 1997. The Heroic Trio and Executioners (both 1993) mix fantasy, science fiction, traditional martial arts and modern action into a potent dystopian stew centred on three of Hong Kong’s biggest female stars – Anita Mui, Michelle Yeoh and Maggie Cheung. Criterion’s three-disk dual-formal edition showcases stunning restorations by L’Immagine Ritrovata.

Recent Asian releases from Eureka

Disillusioned Christians Shiro Amakusa (Kenji Sawada) and Hosokawa Gracia (Akiko Kana) return from the dead to seek revenge in Kenji Fukasaku's Samurai Reincarnation (1981)

Eureka, and their specialty label Masters of Cinema, continue to release a range of Asian films, from pulp action to classical tragedy. Among recent releases are a two-disk set of four sequels to Rickay Lau’s Mr. Vampire (1985), Cynthia Rothrock’s first lead role in Mang Hoi & Corey Yuen’s Lady Reporter (1989), and a pair of very different samurai epics: Tadashi Imai’s bleak dissection of the Bushido code in Revenge (1964) and Kenji Fukasaku’s mix of history and supernatural horror in Samurao Reincarnation (1981).

Vinegar Syndrome closes out 2022

Fong Sai Yuk (Willie Chi) faces a Manchu army in Ringo Lam's Burning Paradise (1994)

Vinegar Syndrome wraps up 2022 with a very mixed bag of releases, including no less than four grubby, bottom-of-the-barrel slasher movies, a dynamic Hong Kong martial arts movie, and loaded special editions of Freeway (1996), Matthew Bright’s reworking of Little Red Riding Hood as serial killer black comedy, and Rowdy Herrington’s red-neck action-romance Road House (1989).

Blasts from the past

Brief Notes, December Part One

DVD of the week: Lunopolis

Holiday viewing

Dune addendum

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