Styles of Horror, part two

Recent disks offer a range of horror movies displaying commercial and artier approaches to the genre from Vincent Price vehicles from American-International to Roger Vadim’s visually rich LeFanu adaptation …et mourir de plaisir and Bill Gunn’s key Black Cinema offering from 1973, Ganja & Hess.

Recent viewing, part 2

You could make an interesting double bill out of Daniel Barber’s Harry Brown (2009) and Joe Cornish’s Attack the Block (2011). Both are set in crime-ridden British housing estates where residents are terrorized by youth gangs, both have a gritty tone which strives to create a sense of relevance and immediacy. But while they have […]

Blasts from the past

Edgar G. Ulmer, B-movies, and the art of the low budget

Dorothy Arzner’s Merrily We Go to Hell (1932):
Criterion Blu-ray review

Vinegar Syndrome summer binge, part three

Michael Apted’s documentary legacy

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