
International hit men, a widescreen travelogue, Asian action, World War Two, sex with an immortal monster, the zombie apocalypse, necrophilia and interstellar space travel … another mixed bag of recent viewing.
My collecting obsession leads me to Arrow’s Ring Collection — Hideo Nakata’s hugely influential Ringu (1998), two divergent sequels, George Iida’s Spiral (1998) and Nakata’s own Ring 2 (1999), plus the prequel Ring 0: Birthday (2000). While the three follow-up movies can’t match the effectiveness of the original, Arrow present them all in excellent transfers, with a lot of supportive extras.
Criterion’s new Blu-ray edition of Benjamin Christensen’s Häxan (1922) reveals a startlingly complex and modern work; a multi-layered essay on the subject of the European witch craze of the 14th to 17th Centuries, the film is richly detailed exploration of religion, power and madness which still has relevance today.
Yet more recent random viewing: Joseph L. Mankiewicz’s movie-biz tragedy The Barefoot Contessa (1954); Lucio Fulci’s first and (almost) last gialli, One on Top of the Other aka Perversion Story (1969) anf The New York Ripper (1982); Ivan Nagy’s oddly poetic serial killer movie Skinner (1993); and some cheap bargains from the local drugstore.
More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).
Following the surprise international success of Gregory’s Girl (1980), writer-director Bill Forsyth was given greater resources by producer David Puttnam and made what on the surface was a whimsical comedy reminiscent of Ealing Studios in the ’50s; three-and-a-half decades later, the delightfully charming Local Hero (1983) can be seen as a subtly prescient warning about the most urgently pressing issues we now face – climate change and the need to find sustainable ways to inhabit the planet.