In addition to all the movies I’ve reviewed here in the past three or four months, I’ve watched many more; here I acknowledge more than seven dozen movies and television series I’ve seen over the summer.
Criterion have just released Andrei Tarkovsky’s most personal Film, Mirror (Zerkalo, 1975), in an exemplary two-disk edition. The 2K restoration supplied by Mosfilm has been supplemented with four-and-a-half hours of new and archival documentaries, including a superb feature-length survey of Tarkovsky’s life and work made by his son, Andrei A. Tarkovsky, in 2019.
Dorothy Arzner’s pre-Code romantic comedy/tragedy Merrily We Go to Hell (1932) is given a gorgeous presentation by Criterion from a new 4K restoration. This story of a vibrant heiress (Sylvia Sidney) and her marriage to an alcoholic writer (Frederic March) avoids the standard Hollywood cliches which would soon become entrenched as the Production Code imposed rules of behaviour on the characters who populated studio movies.
Criterion have released a stunning restoration of History is Made at Night (1937), Frank Borzage’s startlingly unpredictable mixture of romantic comedy, melodrama, noir and horror, which climaxes as a full-blown disaster film. Production began with only half a script and much of the film was improvised on the fly, yet it emerged as a wonderfully entertaining, continuously surprising testament to Borzage’s belief in the redemptive power of love.
New restorations of movies from early and late in the career of King Hu reconfirm his influential position in Chinese cinema as a master of martial arts and swordplay films: action and poetry blend seamlessly in Come Drink With Me (1966), The Fate of Lee Khan (1973) and Raining in the Mountain (1979).