Abbas Kiarostami’s The Koker Trilogy (1987-94):
Criterion Blu-ray review

Ahmad (Babak Ahmadpour) must figure out how to correct his own mistake to help his friend in Abbas Kiarostami's Where is the Friend's House? (1987)

Abbas Kiarostami’s multi-layered triptych of films dubbed The Koker Trilogy begins with a neorealist depiction of childhood in a small Iranian village and continues with an increasingly complex blend of documentary and fiction in which the director interrogates the nature of cinema itself through the impact of a devastating earthquake on the lives of the people who appeared in the first film. Criterion’s Blu-ray set showcases this masterpiece with excellent transfers and a substantial array of supplements.

Alan Pakula’s Klute (1971): Criterion Blu-ray review

Darkness encroaches on Bree Daniels (Jane Fonda)'s existence in Alan Pakula's Klute (1971)

Criterion’s exemplary Blu-ray release of Alan Pakula’s second feature, Klute (1971), offers a superb 4K scan from the original negative and extensive extras which highlight the film’s importance in the evolution of American cinema at a particularly turbulent time in both politics and popular culture, with a particular emphasis on Jane Fonda’s development as both actor and activist.

Sergei Bondarchuk’s War and Peace (1966-67):
Criterion Blu-ray review

Napoleon surveys the field of battle in Sergei Bondarchuk's War and Peace (1966-67)

Criterion’s two-disk Blu-ray release of Sergei Bondarchuk’s War and Peace showcases a restoration of what may well be the most expensive film ever made. Truly epic in scale, this adaptation of Tolstoy’s revered novel balances awe-inspiring spectacle with emotionally charged character drama. The 7+ hour feature is supplemented with three hours of informative new and archival extras.

Random viewing, short takes

Sennia Nanua gives a riveting performance as Melanie, The Girl with All the Gifts (Colm McCarthy, 2016)

A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).