Tobe Hooper’s mangled career

Bill Gartley (Robert Englund), consumed by evil, is now barely human in Tobe Hooper's The Mangler (1995)

As a filmmaker, Tobe Hooper’s creative interests were not always in sync with audiences and critics. His mixture of theatrical performance and constructed-in-studio settings are on full display in the generally disdained Stephen King adaptation The Mangler (1995), whose uneven dramatic execution undermines an often impressively menacing horror-fantasy about the bloody appetite of capitalism, an inhuman force which devours those doomed to serve it. Hooper’s Spontaneous Combustion (1990), on the other hand, is a half-baked mess which mostly lacks any visual interest to make up for its many narrative inadequacies.

David Lynch’s Dune redux

The battle for Arrakeen in David Lynch's Dune (1984)

With a new 4K restoration of David Lynch’s Dune (1984), Arrow Films and Koch Media have given us pretty much the final word on this magnificent, yet almost fatally crippled, epic, surrounding it with hours of new and archival extras (including two commentaries on the Arrow, and Daniel Griffith’s feature-length making-of on the Koch). The Koch edition claims primacy, though, for including not only a soundtrack CD, but also the remarkable, unofficial fan-edit by the anonymous Spicediver, who has used all publicly available material to construct an intelligent, thoughtful three-hour version which reveals that so many of the theatrical cut’s acknowledged problems were the fault of Dino De Laurentis and Universal Studios, and not Lynch; there really is a coherent, comprehensible narrative in what was shot, yet it was ruined by idiots whose only concern was keeping the movie under 135 minutes.

Recent disks from England, part two: Arrow

A young woman's psychic powers make her a target of nefarious forces in Nico Mastorakis' Death Has Blue Eyes (1976)

Arrow’s big pre-Christmas sale brought a wide range of titles, some old, some new: Juan Simon Piquer’s Spanish slasher Pieces (1982), Chelsea Stardust’s horror comedy Satanic Panic (2019), Giancarlo Santi’s spaghetti western The Grand Duel (1972), Lee Min-jae’s horror comedy Zombie for Sale (2019), Jill Gevargizian’s psycho horror The Stylist (2020),Nico Mastorakis incoherent first feature Death Has Blue Eyes (1976), a Japanese double bill of sci-fi crime movies, Nobuo Adachi’s The Invisible Man Appears (1949) and Mitsuo Murayama’s The Invisible Man vs the Human Fly (1957), Riccardo Freda’s mix of melodrama and giallo Double Face (1969), Jacques Tourneur’s late film noir Nightfall (1956), and Giorgio Ferroni’s atmospheric Gothic horror Mill of the Stone Women (1960).

Year End 2021

The Count (Udo Kier) is worried about his blood supply in Paul Morrissey's Blood for Dracula (1974)

It’s been a good year for movies on disk, with a remarkable range of releases from many companies which are devoting considerable resources to rediscovering, restoring and preserving movies in numerous genres. Ranging across nationalities and spanning cinema history, there was plenty to divert attention from a real world which has become so depressing and exhausting.

Ghosts, Monsters and Swordplay

Agi (Chiaki Kuriyama) with one Kato's Yokai-machine hybrids in Takashi Miike's The Great Yokai War (2005)

Asian martial arts and fantasy movies can be exhilarating in their strangeness and invention, unbound by Western insistence on rational explanations. Arrow’s new box set Yokai Monsters Collection presents a world in which supernatural presences exist alongside human reality, while in Eureka’s release of Ching Siu-tung’s Duel to the Death (1983) martial artists defy the laws of physics in elaborately choreographed sword fights.

September Arrow releases

Pausing for campfire tales in a graveyard in David Nelson's Death Screams (1982)

New Blu-ray releases from Arrow revive an effective Satanic panic movie from the early ’70s and unearth a forgotten regional slasher from 1982. The former, Bernard McEveety’s The Brotherhood of Satan, is an atmospheric gem; the latter, David Nelson’s Death Screams, is kind of clumsy, though it does have a few effective moments.

Recent Arrow box sets

Wronged man Gary Hamilton (Klaus Kinski) looks for revenge in Antonio Margheriti's And God Said to Cain (1970)

Three recent box sets from Arrow will satisfy a wide range of genre appetites with five thrillers from Italy in the ’70s, four spaghetti westerns from the ’60s, and Daiei’s 1966 trilogy of period fantasies featuring a statue which comes to life to punish various cruel warlords who oppress local peasants.

Blasts from the past

Smart Sci-Fi

John Murray Anderson’s King of Jazz (1930): Criterion Blu-ray review

Thanksgiving viewing

DVD of the Week: La Habanera (1937)

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