Indicator have done their usually exemplary job with a pair of recent box sets – one devoted to the five Fu Manchu movies written and produced by Harry Alan Towers in the late 1960s, all starring Christopher Lee in racial drag; the other showcasing six films from Columbia Pictures rather loosely gathered together and labelled film noir.
It’s that time of year again. How to decide what’s “best” out of the six-hundred-plus movies I watched in 2020? It’s an impossible task, so here’s a fairly random selection of things which may not be best, but certainly appealed to me and stuck in my memory.
Indicator’s fifth box set of Hammer movies moves away from the famous horrors to the fringes of the studio’s production, gathering a mediocre contemporary thriller by Michael Carreras and three entertaining historical adventures by John Gilling.
Recent viewing includes a stark western (compared to the work of Dreyer by Bertrand Tavernier), an entertaining adventure souffle from frequent collaborators John Huston and Humphrey Bogart, and a ground-breaking satirical drama from Robert Aldrich which dealt sympathetically with lesbianism in the late 1960s.
A round-up of recent viewing ranging from classic fantasy to low budget horror to rugged adventure and a western.
Two distinguished British actors passed away in June after long and varied careers in film and television: the imposing Christopher Lee and the debonair Patrick Macnee, both at age 93.
Looking back over 2013, the most significant titles in my disk viewing have been imported from England or released by Criterion.
While Death Hunt is an enjoyable outdoor adventure, it plays fast & loose with history, transforming northern Canada into a facsimile of the American west
Mikhail Kalatozov, whose career began in his mid-20s with a number of documentaries, made some of the most interesting films to come out of Soviet Russia. Like most major filmmakers under the communist regimes of the ’30s through the ’60s, he had a rocky relationship with the authorities who controlled filmmaking, at one point even […] Read More
An 11-year-old orphan, discovered working in a maharajah’s stables by a cameraman on a scouting trip, represents one of the strangest anomalies in the history of movie-stardom. Osmond Borradaile was in India in preparation for a project based on a story by Rudyard Kipling when he met Selar Shaik and brought him to the attention […] Read More
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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