Indicator’s fifth box set of Hammer movies moves away from the famous horrors to the fringes of the studio’s production, gathering a mediocre contemporary thriller by Michael Carreras and three entertaining historical adventures by John Gilling.
Recent viewing includes a stark western (compared to the work of Dreyer by Bertrand Tavernier), an entertaining adventure souffle from frequent collaborators John Huston and Humphrey Bogart, and a ground-breaking satirical drama from Robert Aldrich which dealt sympathetically with lesbianism in the late 1960s.
Mikhail Kalatozov, whose career began in his mid-20s with a number of documentaries, made some of the most interesting films to come out of Soviet Russia. Like most major filmmakers under the communist regimes of the ’30s through the ’60s, he had a rocky relationship with the authorities who controlled filmmaking, at one point even […] Read More
An 11-year-old orphan, discovered working in a maharajah’s stables by a cameraman on a scouting trip, represents one of the strangest anomalies in the history of movie-stardom. Osmond Borradaile was in India in preparation for a project based on a story by Rudyard Kipling when he met Selar Shaik and brought him to the attention […] Read More
Not surprisingly, given the amount of time I spend watching movies at home, I came across quite a few worthwhile titles during the year. I’ve already written about many of these in this blog, so will just offer capsule comments here (in no particular order) about ones that I particularly recommend. Dramatic features The World, […] Read More
Time was – longer ago than I care to contemplate – I would have devoured a movie like Zoltan Korda’s The Four Feathers (1939) as nothing more than a thrilling adventure that appealed to a boy’s imagination. Watching it now in Criterion’s lush new edition, I found various parts of myself in conflict for the […] Read More