Inner Sanctum Mysteries on Blu-ray

The power of Alex Gregor (Lon Chaney)'s mind is deadly in Harold Young's The Frozen Ghost (1945)

Universal’s series of minor B-movies based on Simon & Schuster’s line of fiction and NBC’s long-running radio show called Inner Sanctum gave third-string horror star Lon Chaney Jr. a brief opportunity to get away from the monsters he played in the 1940s. Despite a low critical reputation, these atmospheric little movies are quite entertaining and receive a nice showcase in Eureka’s two-disk Blu-ray set.

Spooky

A creepy antique doll provides a link to an unhappy past in Stephen Weeks' Ghost Story (1974)

I can now say from personal experience that watching horror movies a week after having a heart attack (even a relatively minor one) may not be the smartest idea – but I did enjoy these five eerie features.

Indicator in a box

Killers Dancer (Eli Wallach) and Julian (Robert Keith), looking for smuggled drugs, terrorize a mother and daughter in Don Siegel's The Lineup (1958)

Indicator have done their usually exemplary job with a pair of recent box sets – one devoted to the five Fu Manchu movies written and produced by Harry Alan Towers in the late 1960s, all starring Christopher Lee in racial drag; the other showcasing six films from Columbia Pictures rather loosely gathered together and labelled film noir.

Ousmane Sembene’s Mandabi (1968): Criterion Blu-ray review

Ibrahim Dieng (Makhouredia Gueye) is at the mercy of a post-colonial society in Ousmane Sembene's Mandabi (1968)

Known as the “father of African cinema”, Ousmane Sembene’s films grapple with issues of identity in the complex social and political conditions of post-colonial Africa. His second feature (and first in colour) Mandabi (1968) is a tragi-comedy about a proud man clinging to an outmoded patriarchal role whose life is upended when a nephew working in France sends him a money order for 25,000 francs.

Recent Indicator viewing

Juliet Bristow (Gayle Hunnicutt) discovers a body in Pompeii in Richard C. Sarafian's Fragment of Fear (1970)

Indicator continue to release exemplary editions of a wide range of movies, from obscure genre titles to classics to exploitation and occasional failed experiments. Recent viewing ranges from Max Ophuls’ exquisite domestic noir The Reckless Moment (1949) to Blake Edwards’ taut thriller Experiment in Terror (1962) and Arthur Lubin’s surprisingly good Gothic romance Footsteps in the Fog (1955).

Recent Eureka/Masters of Cinema releases

Hjalmar Poelzig (Boris Karloff) and the preserved body of the woman he loved in Edgar G. Ulmer's The Black Cat (1934)

Two recent two-disk sets released by Eureka in England provide two very different forms of popular entertainment. Two Films by John Woo contains a pair of top-notch martial arts movies from the first stage of Woo’s career, before he hit it big with the gangster films of the mid-’80s, while the three movies in their Bela Lugosi/Edgar Allen Poe set present some of the most deliriously perverse horrors of the pre-Code era. While the crown jewel is Edgar Ulmer’s expressionist masterpiece The Black Cat, the set’s revelation is the Easter egg inclusion of a “virtual director’s cut” of Robert Florey’s Murders in the Rue Morgue, which follows Tim Lucas’ suggestions, based on internal evidence, or what the film might have been before studio tampering made it a disjointed mess.