Filmmaker Gerry O’Hara tackled the difficult subject of marital violence in the mid-’70s, at a time when such things weren’t discussed in polite company. His use of exploitation tropes offended critics at the time for “trivializing” a serious subject which almost no one else was examining in popular media. Actually, O’Hara’s treatment is quite intelligent and well-crafted.
Recent disks from England include Franco Parolini’s late spaghetti western Sabata Trilogy (1969-71), the classic Ray Harryhausen Sinbad fantasies (1958-77), Carl Franklin’s revisionist neo-noir Devil in a Blue Dress (1995), Tsui Hark’s influential martial arts fantasy Zu: Warriors from the Magic Mountain (1983), and David Greene’s tense submarine disaster movie Gray Lady Down (1978).
Severin’s All the Haunts Be Ours box set resurrects an interesting independent American feature from the early ’80s, Avery Crounse’s Eyes of Fire (1983) uses folk horror elements as a metaphor for colonialism and the violence inherent in Manifest Destiny.
Four of Dario Argento’s later movies reveal a filmmaker in decline – but they all get excellent Blu-ray releases with pristine transfers and lots of extras. This is a mixed blessing for fans of Argento’s great movies from the ’70s and ’80s, who can see the movies’ weaknesses, but nonetheless appreciate occasional flashes of visual and narrative invention.
Criterion give a stellar release to Thomas Vinterberg’s Festen (The Celebration, 1998), the first feature completed under the Dogme 95 manifesto rules; a brilliant, emotionally raw exploration of masculine trauma, it retains all its power to shock and move a quarter century after its release and stands as perhaps the most lasting result of Dogme’s reaction to the complacency of bourgeois cinema.
The year gets off to an interesting start with a pair of excellent Argentinian films noirs – Román Viñoly Barreto’s The Beast Must Die (1952) and Fernando Ayala’s The Bitter Stems (1956) – beautifully restored by the Film Noir Foundation; Prana Bailey-Bond’s Censor (2021), a disturbing British psychological horror; and Kier-la Janisse’s Woodlands Dark and Days Bewitched (2021), an epic documentary exploring the folk horror genre.
Eureka’s Blu-ray box set Cinematic Vengeance gathers together eight movies by Taiwanese director Joseph Kuo in the 1970s, an independent specialist in low-budget martial arts movies. These films are packed with great action scenes; the fight choreography, camerawork and editing are exceptional and, although Kuo throws in occasional bits of broad comedy, the tone is often quite dark, with endings that refuse to offer battered characters any final sense of triumph.
It’s been a long time coming, but Paul Morrissey’s two unique Gothic horror movies from the early 1970s – Flesh for Frankenstein (1973) and Blood for Dracula (1974) – have finally arrived on disk in superb restorations, the former from Vinegar Syndrome, the latter from Severin. Both editions are packed with hours of extras, and Flesh for Frankenstein is finally available in 3D (both digital and anaglyphic) as well as flat. Together, the home video highlight of 2021.
It’s been a good year for movies on disk, with a remarkable range of releases from many companies which are devoting considerable resources to rediscovering, restoring and preserving movies in numerous genres. Ranging across nationalities and spanning cinema history, there was plenty to divert attention from a real world which has become so depressing and exhausting.
As the winter turns cold, I take another plunge into the depths of horror, exploitation, sex and death with a range of releases which vary widely in style and nationality. I just can’t stay away from this stuff – maybe I need therapy?