Criterion release the definitive edition of Joseph L. Mankiewicz’s All About Eve (1950), the pinnacle of sophisticated wit from Hollywood’s Golden Age, in a two-disk set packed with extras.
More recent viewing, heavy on the sci-fi, fantasy and horror – the latter including an ambitious Netflix series and a grim documentary about violence in America.
International hit men, a widescreen travelogue, Asian action, World War Two, sex with an immortal monster, the zombie apocalypse, necrophilia and interstellar space travel … another mixed bag of recent viewing.
My collecting obsession leads me to Arrow’s Ring Collection — Hideo Nakata’s hugely influential Ringu (1998), two divergent sequels, George Iida’s Spiral (1998) and Nakata’s own Ring 2 (1999), plus the prequel Ring 0: Birthday (2000). While the three follow-up movies can’t match the effectiveness of the original, Arrow present them all in excellent transfers, with a lot of supportive extras.
Horror, westerns science fiction, crime, magic, demons, vampires, zombies, witches, a one-legged detective, people trapped in a deadly house, a damsel in distress and a film editor driven mad by cheap exploitation movies …
Criterion’s new Blu-ray of Michael Radford’s 1984 (1984) offers an impressive 4K restoration of this grim and gritty dystopian fantasy faithfully adapted from George Orwell’s novel.
Three movies from producer-director Stanley Kramer, spread across two decades, highlight his liberal sensibilities … and expose the limits of that liberalism in the face of a messy world.
Criterion’s new Blu-ray edition of Benjamin Christensen’s Häxan (1922) reveals a startlingly complex and modern work; a multi-layered essay on the subject of the European witch craze of the 14th to 17th Centuries, the film is richly detailed exploration of religion, power and madness which still has relevance today.
Yet more recent random viewing: Joseph L. Mankiewicz’s movie-biz tragedy The Barefoot Contessa (1954); Lucio Fulci’s first and (almost) last gialli, One on Top of the Other aka Perversion Story (1969) anf The New York Ripper (1982); Ivan Nagy’s oddly poetic serial killer movie Skinner (1993); and some cheap bargains from the local drugstore.
More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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