Rough Cut Blog

Home-Grown Horrors

Monsters emerge from a student's dreams in Jay Woelfel's Beyond Dream's Door (1989)

Vinegar Syndrome’s Home-Grown Horrors box set presents three ultra-low-budget regional movies on Blu-ray, really entertaining and looking better than they ever deserved to, and accompanied by surprisingly substantial extras about the fun and frustration of making movies without sufficient resources.

Getting serious

Jean Gabin embodies Georges Simenon's famous detective in Jean Delannoy's Maigret and the St. Fiacre Case (1959)

Another eclectic selection of recently watched Blu-rays, from two atmospheric French mysteries starring Jean Gabin as Maigret (1958-59) to the nightmarish horrors of war in Eastern Europe in an adaptation of Jerzy Kosinski’s controversial novel The Painted Bird (2019), from violence tourism in near-future Brazil in Kleber Mendonça Filho and Juliano Dornelles’s Bacurau (2019) to tenderness and violence on the American frontier in Kelly Reichardt’s First Cow (2020) and children faced with the threat of nuclear annihilation during the Cold War in Frank Perry’s Ladybug Ladybug (1965).

The second coming of Cauldron

The Medieval dead awaken to deal with modern killers in Tomas Aznar's Beyond Terror (1980)

With their second pair of releases, the folks at Cauldron Films have again dug deep into the fringes of genre movie-making, this time unearthing Sergio Pastore’s The Crimes of the Black Cat (1972), an Italian giallo from the peak period of that genre, and Tomas Aznar’s Beyond Terror (1980), a Spanish film which begins as a nihilistic story about a gang of vicious criminals and morphs into a supernatural revenge narrative.

Edmund Goulding’s Nightmare Alley (1947):
Criterion Blu-ray review

Proud, ambitious Stanton Carlisle (Tyrone Power) has fallen as low as it gets in Edmund Goulding's Nightmare Alley (1947)

Continuing their recent run of classic Hollywood restorations, Criterion have released an excellent edition of Edmund Goulding’s Nightmare Alley (1947), a sordid story of madness and criminality starring Tyrone Power in his best role as an opportunistic carny who cons his way to the top of respectable society only to plunge back down to the lowest depths. A remarkably grim movie to have been made by a major studio on an A-picture budget, it still remains a potent glimpse of existential horror.

Euro Pulp

Delphine Seyrig conveys elegant ennui as the Countess Elizabeth Bathory in Harry Kümel's Daughters of Darkness (1971)

A selection of European genre movies from the 1970s and ’80s ranges from sadistic killers to cannibals to elegant vampires, from bad fashions and electro-pop music to old families sinking into decadence, from masters of exploitation like Sergio Martino, Lucio Fulci, Umberto Lenzi and Ruggero Deodato to the artful Harry Kümel.

Dorothy Arzner’s Merrily We Go to Hell (1932):
Criterion Blu-ray review

Dorothy Arzner’s pre-Code romantic comedy/tragedy Merrily We Go to Hell (1932) is given a gorgeous presentation by Criterion from a new 4K restoration. This story of a vibrant heiress (Sylvia Sidney) and her marriage to an alcoholic writer (Frederic March) avoids the standard Hollywood cliches which would soon become entrenched as the Production Code imposed rules of behaviour on the characters who populated studio movies.

John Ford at Columbia 1935-1958: Indicator Blu-ray

Chief Inspector George Gideon (Jack Hawkins) knows that Joanna Delafield (Dianne Foster) is involved in a series of robberies in John Ford's Gideon's Day (1958)

Indicator’s four-disk John Ford at Columbia 1935-1958 box set raises some interesting questions about the nature of auteurism and how the ways in which a filmmaker comes to be defined influence how different films are viewed. Two of the movies in the set – The Whole Town’s Talking (1935) and Gideon’s Day (1958) – tend to be seen as minor and extraneous to Ford’s core body of work, yet both are among his most entertaining even if they don’t advance his familiar thematic preoccupations.

Recent Arrow viewing, Part Two

Captain Seafield (Ryland Brickson Cole Tews) and sonar expert Nedge Pepsi (Beulah Peters) are shocked by the Lake Michigan Monster (2018)

Yet another wide range of titles from Arrow Video from a restored silent classic to aliens over Tokyo, woods infested with zombies, food which consumes those who eat it, apocalypse in an alternate future Los Angeles, friendship destroyed by political conflicts, rich people facing the loss of their wealth and a naively admiring time capsule of the U.S. on the brink of the ’60s.

Guest Post: From Film to Flipbook to Film

Boxeurs (1896-98), one of Georges Méliès's films rediscovered in flipbooks
vimeo.com/53598390

Howard Curle recently called my attention to an interesting on-line presentation posted by the San Francisco Silent Film Festival about a number of early films, many by Georges Méliès, which have been reconstituted from flipbooks from the late 1800s in which a series of photos printed from the films create a simulation of cinematic movement. In this guest post, Howard provides an introduction to this fascinating discovery.

Frank Borzage’s History is Made at Night (1937):
Criterion Blu-ray review

Romance begins in menacing darkness in Frank Borzage’s History is Made at Night (1937)

Criterion have released a stunning restoration of History is Made at Night (1937), Frank Borzage’s startlingly unpredictable mixture of romantic comedy, melodrama, noir and horror, which climaxes as a full-blown disaster film. Production began with only half a script and much of the film was improvised on the fly, yet it emerged as a wonderfully entertaining, continuously surprising testament to Borzage’s belief in the redemptive power of love.