Targeted by his bosses, a hitman (Alain Delon) wages a personal war against the mob in Duccio Tessari’s Tony Arzenta (1973)
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Euro Pulp
Rewriting the West:Monte Hellman’s The Shooting and Ride In the Whirlwind
Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
Criterion Blu-ray review: Ettore Scola’s A Special Day (1977)
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