More theatre than cinema, Tomaso Sherman’s The Bottle Imp (1981) uses minimal, stylized sets to tell Robert Louis Stevenson’s story
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Sidney Lumet, from stage to screen
The short career of Michael Reeves
Recent disks from Arrow Video
Year-end ruminations: 2016
Comments