More theatre than cinema, Tomaso Sherman’s The Bottle Imp (1981) uses minimal, stylized sets to tell Robert Louis Stevenson’s story
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Another Titanic footnote
The Coen Brothers’ Miller’s Crossing (1990): Criterion Blu-ray review
Harold Ramis 1944-2014
More late winter viewing, part two
Comments