victims-of-sin_11

Gabriel Figueroa's noirish lighting creates a note of mystery and menace in the opening sequence of Emilio Fernández’s Victimas del pecado (Victims of Sin, 1951)

Gabriel Figueroa’s noirish lighting creates a note of mystery and menace in the opening sequence of Emilio Fernández’s Victimas del pecado (Victims of Sin, 1951)

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