victims-of-sin_11

Gabriel Figueroa's noirish lighting creates a note of mystery and menace in the opening sequence of Emilio Fernández’s Victimas del pecado (Victims of Sin, 1951)

Gabriel Figueroa’s noirish lighting creates a note of mystery and menace in the opening sequence of Emilio Fernández’s Victimas del pecado (Victims of Sin, 1951)

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Blasts from the past

Catching up, part two

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October 30, 1938: When Welles Unleashed Wells

Edgar G. Ulmer, B-movies, and the art of the low budget