Independence comes with heavy costs for call-girl Ai (Chikako Aoyama) in Banmei Takahashi’s Door II: Tokyo Diary (1991)
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The storytelling art of Sadao Yamanaka
Marcel Pagnol’s The Baker’s Wife (1938):Criterion Blu-ray review
Updating Cagey Films
“Art films” and the nature of boredom
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