More theatre than cinema, Tomaso Sherman’s The Bottle Imp (1981) uses minimal, stylized sets to tell Robert Louis Stevenson's story

More theatre than cinema, Tomaso Sherman’s The Bottle Imp (1981) uses minimal, stylized sets to tell Robert Louis Stevenson’s story

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

The National Film Board of Canada

More late winter viewing, part one

Clive Rees’ The Blockhouse (1973) and other recent Indicator releases

Criterion Blu-ray review:
Frank Capra’s It Happened One Night (1934)