Fantasia (Cynda Williams) just wants to get home to see her child in Carl Franklin’s One False Move (1992)
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Dorothy Arzner’s Merrily We Go to Hell (1932): Criterion Blu-ray review
Alan Pakula’s The Parallax View (1974): Criterion Blu-ray review
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
Viewing notes, March-April 2015: part two
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