Chan (Leslie Chueng)’s courting of Fleur (Anita Mui) is a mixture of grand gestures and passive waiting in Stanley Kwan’s Rouge (1987)
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Time, paradox and loss
Elem Klimov’s Come and See (1985): Criterion Blu-ray review
New limited editions from Second Sight, part one
Edgar G. Ulmer’s Cossacks in Exile (1938)
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