A distorted reflection of Kane’s nurse suggests that little of what follows will be clear and straightforward in Orson Welles’ Citizen Kane (1941)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Viewing notes July-August 2015, part two
Sacha Guitry’s La poison (1951): Criterion Blu-ray review
Stanley Kubrick part 1: Becoming Kubrick
The One, True Doctor and the Passage of Time
Comments