Visconti (Charles Aznavour) faces imprisonment with quiet fatalism in Clive Rees’ The Blockhouse (1973)
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S.F. Brownrigg’s regional horrors
Late summer viewing 2014, part two
Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
Jean Rouch, Edgar Morin, cinema verite and the problem of “actuality”
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