Helene (Paprika Steen) would prefer not to have dark secrets aired in public in Thomas Vinterberg’s Festen (The Celebration, 1998)
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Artsploitation Films and the boundaries of horror
The myth of Orson Welles’ failure
Cheap sci-fi and hardboiled noir in 3D
Claude Berri’s Jean de Florette and Manon des Sources (1986): Criterion Blu-ray review
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