The Count (Udo Kier) meets the De Fiore family in Paul Morrissey’s Blood for Dracula (1974)
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Styles of Horror, part three
The myth of Orson Welles’ failure
The good, the mediocre and the annoying
Emilio Fernández’s Victimas del pecado (Victims of Sin, 1951): Criterion Blu-ray review
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