Filling in as projectionist, Ana (Luciana Grasso) begins to suspect there’s something wrong in Maximiliano Contenti’s The Last Matinee (2021)
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Exploring the nature of artistic inspiration: Alexandre O. Philippe’s Lynch/Oz (2022)
Recent miscellaneous viewing, part three
Seeing the world in black-and-white … and shades of grey
January releases from Indicator
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