A model rejects the painter’s advances in Georges Méliès’s Pose chez l’Artiste, Venus / The Irascible Model (1897-98)
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Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
What I haven’t been writing about
Will this ever end?
He was still alive? Bert I. Gordon 1922-2023
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