Prostitute Laila (Dhalia) believes Iskandar (A.N. Alcaff) represents a better life in Usmar Ismail’s After the Curfew (1954)
Photo: Janine Tschuncky
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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