A drug addict/satanist serves as a big red herring in Umberto Lenzi’s Knife of Ice (1972)
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Gerry O’Hara’s The Brute (1977)
Project Update: Trailer
Guest post: A Weimar Cinema Revelation: Harbour Drift (1929), part one
Bill Forsyth’s Local Hero (1983): Criterion Blu-ray review
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