A nod to Argento with elaborate deaths and saturated colours in Norman J. Warren’s Terror (1978)
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Jean Rouch, Edgar Morin, cinema verite and the problem of “actuality”
Marcel Carné’s Hôtel du Nord (1938): Criterion Blu-ray review
Rough Cut: one year old
Jack Arnold’s The Incredible Shrinking Man (1957): Criterion Blu-ray review
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