Rear projection undermines the openness and sunlight of a desert road in Edgar G. Ulmer's Detour (1946)

Rear projection undermines the openness and sunlight of a desert road in Edgar G. Ulmer’s Detour (1946)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

Marcel Pagnol’s Marseilles Trilogy (1931-36): Criterion Blu-ray review

Pandemic viewing, Part One

Bill Duke’s Deep Cover (1992): Criterion Blu-ray review

DVD of the Week: All White in Barking/Men of the City