One of the victims being prepped for his on-camera moment … yes, that’s a real body; the head is hidden by the cushion on Paul Shapiro’s Heads (1994)
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Thinking About Genre, part 1
Guest post: A Weimar Cinema Revelation: Harbour Drift (1929), part two
Henri-Georges Clouzot’s La vérité (1960): Criterion Blu-ray review
New releases from the BFI, 2016
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