Criterion’s new two-disk Blu-ray showcases Bong Joon-ho’s second feature, Memories of Murder (2003), a complex and disturbing account of an actual Korean serial killer case from the mid-1980s. Both satire and existential horror story, the film displays the same concerns and creative skill which marked Bong’s international 2019 hit, Parasite.
More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).
Arrow releases yet another impressive limited edition box-set with their dual-format edition of Kinji Fukasaku’s Battles Without Honor and Humanity, a key work in the transition of Japanese cinema from the “classical” post-war period to a more transgressive critique of the nation’s history and culture.
Criterion’s Blu-ray of Richard Brooks’ In Cold Blood (1967) gives the film a stunning visual presentation and enhances it with a substantial collection of supplements dealing with the original murder case, author Truman Capote’s approach to reporting the story, and the stylistic and technical innovations brought to the project by Brooks and his collaborators.
A variety of approaches to horror are on display in Guillermo Del Toro’s new film Crimson Peak; a book about Stanley Kubrick’s adaptation of Stephen King’s The Shining which gathers together articles, essays and interviews from the ’80s to the present; and a disturbing 1983 Austrian film based on a real-life multiple murder, Gerald Kargl and Zbigniew Rybczynski’s Angst.
The British legal system has something called the “appropriate adult”. This is a volunteer who’s brought in to observe interrogations when a suspect is deemed incapable of looking out for their own interests, either through some learning disability or other mental handicap. At the beginning of ITV’s two-part fact-based drama, Janet Leach (Emily Watson), a […] Read More