Hammer Vol. 6: Night Shadows from Indicator

Catherine Lacey appears briefly as wealthy, reclusive murder victim Ella Venable in John Gilling's The Shadow of the Cat (1961)

Indicator’s sixth box set of Hammer movies, Night Shadows, is a bit of a mixed bag, with a silly but entertaining Old Dark House throwback in John Gilling’s The Shadow of the Cat (1961), an overwrought psycho thriller in Freddie Francis’ Nightmare (1964), a historical adventure in Peter Graham Scott’s Captain Clegg (1962), and a pseudo-Gothic horror in Terence Fisher’s The Phantom of the Opera (1962).

The films of Eloy de la Iglesia

El Jaro (Jose Luis Manzano) turns to petty crime and drugs in Eloy de la Iglesia's Navajeros (1980)

Severin introduces the work of Eloy de la Iglesia, a little-known Basque filmmaker with three releases spanning the period from the end of the Franco regime to the transition to democracy in Spain. Two thrillers with a satirical edge made in the early ’70s give way to a trilogy of violent, neo-realist depictions of youth crime and drug addiction in the early ’80s. Dynamic and visceral, these films are deeply empathetic to members of the underclass – workers and dispossessed adolescents – and unflinching in their treatment of addiction and homosexuality in a repressive society.

Columbia Noir #3 from Indicator

Vince Ryker (Vince Edwards) escapes prison thinking he's going to be rich in Irving Lerner's City of Fear (1959)

With their third box set of Columbia Studios films noirs in just over half a year, Indicator again gather together six entertaining B-movies made in the shadow of Cold War paranoia; crime, violence and personal demons evoke a world destabilized by fear, betrayal and uncertainty. As before, the set is packed with commentaries featurettes and short films which illuminate the context from which the features emerged.

Euro Pulp

Delphine Seyrig conveys elegant ennui as the Countess Elizabeth Bathory in Harry Kümel's Daughters of Darkness (1971)

A selection of European genre movies from the 1970s and ’80s ranges from sadistic killers to cannibals to elegant vampires, from bad fashions and electro-pop music to old families sinking into decadence, from masters of exploitation like Sergio Martino, Lucio Fulci, Umberto Lenzi and Ruggero Deodato to the artful Harry Kümel.

Recent Arrow viewing, Part Two

Captain Seafield (Ryland Brickson Cole Tews) and sonar expert Nedge Pepsi (Beulah Peters) are shocked by the Lake Michigan Monster (2018)

Yet another wide range of titles from Arrow Video from a restored silent classic to aliens over Tokyo, woods infested with zombies, food which consumes those who eat it, apocalypse in an alternate future Los Angeles, friendship destroyed by political conflicts, rich people facing the loss of their wealth and a naively admiring time capsule of the U.S. on the brink of the ’60s.

Indicator’s Columbia Noir #2

Unemployed engineer Mike Lambert (Glenn Ford) loses his brakes driving down a mountain in Richard Wallace's Framed (1947)

Indicator’s Columbia Noir #2 box set presents another six movies, hovering between A and B pictures, from the late ’40s to late ’50s. Crime, romance and a society shaken in the aftermath of the Second World War provide a background for portraits of characters torn by guilt, paranoia, betrayal and moral uncertainty.