Thrillers

Giallothon!

Posted on by Kenneth George Godwin
A sadistic killer (Michele Renzullo) stalks Venice in Mario Landi’s Giallo a Venezia (1979)

Severin’s box set of Sergio Martino’s All the Colors of the Dark (1972) and Federico Caddeo’s documentary All the Colors of Giallo (2019) provides a masterclass in the poetically sordid Italian genre which flourished so briefly from the late 1960s to early 1980s. The collection of eighty-two giallo trailers with a four-hour commentary by Kat Ellinger are alone worth the price, but there’s a lot more – including two CDs of giallo scores and several informative interviews, as well as a supplementary disk which surveys the German krimi genre.

Hammer on Blu-ray from Indicator, part two

Posted on by Kenneth George Godwin
Tallulah Bankhead as Mrs. Trefoile, a religious fanatic obsessed with her son's purity in Silvio Narizzano's Fanatic (1965)

Indicator’s first box set of Hammer films on Blu-ray is an uneven selection of the studio’s mid-’60s output, including two of their best along with two of their weakest releases. Alongside Michael Carreras’ mediocre Maniac (1963) and The Curse of the Mummy’s Tomb (1964), we get The Gorgon (1964), on of Terence Fisher’s finest Gothic horrors along with Silvio Narizzano’s debut feature, Fanatic (1965, aka Die! Die! My Darling!), the best of Hammer’s psychological horrors, all sporting excellent transfers and informative special features.

More late winter viewing, part two

Posted on by Kenneth George Godwin
An experimental serum revives and mutates dead soldiers in Julius Avery's Overlord (2018)

Style trumps substance in several recently viewed movies: from Stefano Sollima’s troubling depiction of mythic threats on the U.S. southern border in Sicario: Day of the Soldado (2018) to Julius Avery’s disappointing exploitation of World War Two horrors for cheap thrills in Overlord (2018), from Drew Goddard’s ersatz Tarantino-like narrative play in Bad Times at the El Royale (2018) to Kenneth Branagh’s glossy rehash of Agatha Christie’s Murder on the Orient Express (2017).

Year End 2018

Posted on by Kenneth George Godwin
Boriska (Nikolay Burlyaev) oversees the firing of the bell in Andrei Tarkovsky's Andrei Rublev (1966) ...

Despite continuing rumblings about the demise of movies-on-disk, numerous companies continue to produce excellent editions on disk of a vast range of movies covering the entire history of cinema. Once again in 2018 there were far more releases than even an obsessive viewer could keep up with.