To mark our emergence from the Covid lockdown, my friend Steve and I ate barbecued bratwurst and watched a couple of movies which emerged from his big 3D TV screen: Owen Crump’s Korean war docudrama Cease Fire (1953) and John Brahm’s B-movie horror The Mad Magician (1954), Vincent Price’s threadbare follow-up to the hit House of Wax.
Criterion’s Blu-ray edition of Elem Klimov’s searing depiction of war Come and See (1985) is a superb presentation of one of the most emotionally harrowing films ever made.
New restorations of movies from early and late in the career of King Hu reconfirm his influential position in Chinese cinema as a master of martial arts and swordplay films: action and poetry blend seamlessly in Come Drink With Me (1966), The Fate of Lee Khan (1973) and Raining in the Mountain (1979).
A new three-disk Blu-ray from Criterion showcases three fantasies by the great Czech animator Karel Zeman, whose unique, inventive style creates a child-like sense of wonder in even the most jaded viewer. The superb restorations provided by the Karel Zeman Museum in Prague are supplemented with some terrific extras, including an excellent feature-length documentary about Zeman’s career and four of his early short films.
“Folk horror” is one of those categories which is hard to define – but you know it when you see it, like film noir.Two very different features and two dubious documentaries seem to fit the category – Robin Hardy’s The Wicker Man (1973), Erik Blomberg’s The White Reindeer (1953), Malcolm Leigh’s Legend of the Witches (1970) and Derek Ford’s Secret Rites (1971) – all available in excellent Blu-ray editions.
The usual year-end round-up – not necessarily the best movies or disks, but some of the ones I most enjoyed, from high art to entertaining trash. The sheer range of what’s available should lay to rest any lingering rumours about the demise of physical media.
Wim Wenders’ most ambitious film, Until the End of the World (1991) was a huge commercial failure when released in 1991 in a severely truncated version; the almost five-hour director’s cut gets a stunning restoration on Criterion’s two-disk Blu-ray release – visually gorgeous, fascinating and frustrating, this sci-fi epic now looks prescient in its depiction of our solipsistic attachment to out personal electronic devices.
From trash to art, boxed sets enhance the viewing experience by providing a broader context for individual movies – here, four more features from William Castle, The Trilogy of Life by Pier Paolo Pasolini, and a grab bag of five horrors from poverty row distributor Hemisphere.
Indicator showcase four of producer-director William Castle’s best-known movies in their first box set devoted to the showmen, better known for his marketing gimmicks than his cinematic accomplishments. With excellent transfers and copious extras, the set confirms that Castle was a great entertainer.
Criterion release the definitive edition of Joseph L. Mankiewicz’s All About Eve (1950), the pinnacle of sophisticated wit from Hollywood’s Golden Age, in a two-disk set packed with extras.
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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