Ozu Yasujiro’s melancholy social comedy The Flavor of Green Tea Over Rice (1952), which reflects major shifts in Japanese life in the post-war period, receives an excellent release from the Criterion Collection.
Some more brief comments on recent viewing: classic horror, Italian crime action from Umberto Lenzi, gender-bending art from France and exploitation from Australia, the U.S. and the Philippines.
Criterion’s two-disk Blu-ray release of Sergei Bondarchuk’s War and Peace showcases a restoration of what may well be the most expensive film ever made. Truly epic in scale, this adaptation of Tolstoy’s revered novel balances awe-inspiring spectacle with emotionally charged character drama. The 7+ hour feature is supplemented with three hours of informative new and archival extras.
Criterion’s new Blu-ray offers a superb presentation of William Wyler’s greatest film, The Heiress (1949), a subtle yet scathing dissection of the ways in which money distorts and destroys human relationships.
For the first time on home video, Edgar G. Ulmer’s minimalist film noir masterpiece, Detour (1946), gets the treatment it deserves; a stunning 4K restoration brings out every nuance in this story of a man and a woman ensnared by a malevolent Fate.
Two excellent recent Blu-ray releases illuminate different strains of British fantasy. They Came to a City (1944), written by J.B. Priestley and directed by Basil Dearden is a Utopian political fable proposing a new Socialist society for post-war Britain, while Nigel Kneale’s Quatermass and the Pit (1959) spins an epic tale of human evolution and our innate propensity for violence through the story of an ancient spaceship discovered buried beneath London.
Henri-Georges Clouzot’s La vérité (1960) is less well-known than Wages of Fear and Les Diaboliques, but it’s one of his finest features, a complex, emotionally wrenching work which gave Brigitte Bardot her greatest role. Criterion’s excellent new Blu-ray presents the film in a spectacular restoration, with substantial supplements.
MVD Entertainment Group’s Blu-ray release of Ryan Schifrin’s ’80s horror homage Abominable (2005/2018) offers an exemplary treatment of a niche title, with excellent technical treatment and stacked with extras which honour the filmmaker’s respect for the genre.
Criterion have continued their efforts to restore the reputation of eclectic French filmmaker Julien Duvivier by following their Eclipse set of features from the 1930s with a stunning Blu-ray edition of his first post-war feature, Panique (1946), adapted from a very dark novel by Georges Simenon.
I’m a sucker for sales and recently spent a lot on-line buying stacks of Blu-rays from Arrow Films and Severin at discount prices, adding a lot of titles to my backlog. In recent weeks, I’ve started making my way through the new Arrow titles, which include an assortment of genre offerings, some completely unknown, others old favourites.
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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