By 1964, Stanley Kubrick had been honing his filmmaking skills for more than ten years in a series of increasingly ambitious projects, all of which were somewhat conventional in terms of form and content – film noir, historical epic, war film. Even Lolita, although the subject matter pushed accepted boundaries, is recognizable as melodrama. For […]
At the height of the Cold War official propaganda was aimed at lulling the population into accepting the idea of nuclear war as somehow normal and “manageable”, as depicted in the Central Office of Information short The Hole in the Ground (1962) which shows no-nonsense bureaucrats getting on with the job of “maintaining order” during an attack on Britain.