The revival of Flipside

Sylvia Syms is touching as the talent-challenged Maisie in Val Guest's Expresso Bongo (1959)

After a two year hiatus, the BFI has revived the Flipside series with three notable releases: Val Guest’s musical satire Expresso Bongo, Edmond T. Greville’s juvenile delinquent exploitation movie Beat Girl, and Jose Ramon Larraz’s “lost” horror film Symptoms.

Flipside: The Black Panther (1977)

Released simultaneously with the Andy Milligan double-bill Nightbirds and The Body Beneath, the BFI Flipside edition of Ian Merrick’s The Black Panther (1977) resurrects an essentially lost British film which suffered a quick death because it took as subject something too raw for British audiences (or at least the British press) to tolerate. Merrick had […]

The rise of boutique DVDs: The Flipside

Even with the tens of thousands of movies released on DVD since the format debuted in the late ’90s, vast amounts of film history remain untouched. Of course, home video has always been a commercial enterprise, the preservation and dissemination of history mostly a by-product. Companies with large back-catalogues of titles have been constantly faced […]

Blasts from the past

Criterion Blu-ray review: Kenji Mizoguchi’s The Story of the Last Chrysanthemum (1939)

Random thoughts: Summer 2017

More genre viewing – late Fall 2018: Part Two

Budd Boetticher’s A Time for Dying (1969) from Indicator

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