Discovering Theo Angelopoulos

Picture from Theo Angelopoulos' Eternity and a Day, 1998

Film festivals create a peculiar psychological space, lifting you out of “reality” and immersing you in a subjective world where what you see up there on screens in dark auditoriums becomes more important than anything else – even eating and sleeping seem to become irrelevant. The Toronto International Film Festival Having lived mostly in Winnipeg for […]

Blasts from the past

The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)

Michael Powell’s Peeping Tom and other horrors

Reading early film history

Project Update: my part’s done …

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