Horror, drug-dealing surfers, women-in-prison, violent revenge, lab-created monsters, musical zombies and aliens crowd Vinegar Syndrome’s summer release schedule.
Two new Arrow releases – and one older one – plunge into sexual confusion, insecurity, violence and romantic longing: Robert Day’s TV movie The Initiation of Sarah (1977) riffs on themes from Stephen King’s Carrie; Gérard Kikoïne’s Edge of Sanity (1989) gives Anthony Perkins a chance to unleash his inner demons in a career-topping dual performance as Dr. Jekyll and Mr. Hyde; and Kathleen Turner is fearless as a businesswoman who moonlights as a prostitute inspires romantic passion in one man and murderous passion in another, the latter another ferocious, jittery performance from Anthony Perkins.
Yet another wide range of titles from Arrow Video from a restored silent classic to aliens over Tokyo, woods infested with zombies, food which consumes those who eat it, apocalypse in an alternate future Los Angeles, friendship destroyed by political conflicts, rich people facing the loss of their wealth and a naively admiring time capsule of the U.S. on the brink of the ’60s.
Three movies from the 1980s rooted in the intersection of dreams and reality are rescued from obscurity with excellent Blu-ray editions — two in recent Arrow releases, Harley Cokeliss’ Dream Demon (1988) and Mike Hodges Black Rainbow (1989), and one, Bernard Rose’s Paperhouse (1988), on a now out-of-print French disk.
When my friend Howard came over for an evening of movie-watching recently, we ended up with a highly idiosyncratic double-bill of problematic features, one representing self-conscious art, the other polished commercial craft – neither entirely satisfying: Josej Von Sternberg’s The Saga of Anatahan (1953) and Sidney Gilliat’s Endless Night (1972).
“Folk horror” is one of those categories which is hard to define – but you know it when you see it, like film noir.Two very different features and two dubious documentaries seem to fit the category – Robin Hardy’s The Wicker Man (1973), Erik Blomberg’s The White Reindeer (1953), Malcolm Leigh’s Legend of the Witches (1970) and Derek Ford’s Secret Rites (1971) – all available in excellent Blu-ray editions.
Wim Wenders’ most ambitious film, Until the End of the World (1991) was a huge commercial failure when released in 1991 in a severely truncated version; the almost five-hour director’s cut gets a stunning restoration on Criterion’s two-disk Blu-ray release – visually gorgeous, fascinating and frustrating, this sci-fi epic now looks prescient in its depiction of our solipsistic attachment to out personal electronic devices.