Criterion’s excellent edition of King of the Hill (1993) and The Underneath (1995) throws some interesting light of the development of Steven Soderbergh as a filmmaker.
The Apprenticeship of Steven Soderbergh: King of the Hill (1993)
Tag: Crime
Notes on Recent Viewing, part two
Continuing a review of the past month’s disk viewing; contemporary and classic thrillers, Czech animation, British cult TV, and a French dream of New York.
Flipside: The Black Panther (1977)
Released simultaneously with the Andy Milligan double-bill Nightbirds and The Body Beneath, the BFI Flipside edition of Ian Merrick’s The Black Panther (1977) resurrects an essentially lost British film which suffered a quick death because it took as subject something too raw for British audiences (or at least the British press) to tolerate. Merrick had […]
Stanley Kubrick part 1: Becoming Kubrick
My first encounter with Stanley Kubrick’s work came before I was ten years old. Sometime in the early ’60s, my parents took me to see Spartacus, probably at the Odeon in Chelmsford. For years afterwards, two things stuck with me: the gladiators training in a kind of cage and Jean Simmons, holding her baby, riding […]
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