Recent disks from Indicator present a wide variety of styles and genres from bleak ’60s espionage to slick 1970s big studio exploitation, charming period comedy to enjoyable if less-than-scary horror.
More brief notes on recent random viewing choices; another mixed bag of classic fantasy, generic thrillers, dramas drawn form real life, spectacular martial arts and gritty war action, and a scattershot, off-the-wall satire by “the world’s worst living director”.
A round-up of recent reviewing across multiple genres – western, black comedy, musical, animation, road movie.
Recent viewing has included three pairs of movies – two Anime features from 2016 (In This Corner of the World and Your Name), two thrillers from 1967 and 1972 by English directors (Point Blank and Pulp), and a pair of gritty horror-tinged thrillers from 1979 and 1981 which transcend their exploitation roots (The Driller Killer and Ms. 45).
By turns funny and frightening, gripping and frustrating, David Lynch’s revival of Twin Peaks is a prodigiously inventive television epic.
Very brief comments on several dozen disks viewed over the past few months.
An eclectic assortment of recent viewing, including an obscure short feature from England, a couple of westerns old and new, and a pair of Elmore Leonard adaptations.
More notes on recent viewing, from a sadistic thriller to emotionally resonant anime, from a literary adaptation to two investigations of racism in America.
Juzo Itami’s international hit Tampopo (1985), a prodigiously inventive comedy about our relationship with food, gets an excellent release on Blu-ray from Criterion.
His Girl Friday (1940) and Only Angels Have Wings (1939), two of Howard Hawks’ most critically acclaimed movies, have received excellent treatment from Criterion on Blu-ray, along with a restored transfer of Lewis Milestone’s pre-code adaptation of Ben Hecht and Charles MacArthur’s play The Front Page (1931), the source of Hawks’ cynical 1940 romantic comedy.