Ozu Yasujiro’s melancholy social comedy The Flavor of Green Tea Over Rice (1952), which reflects major shifts in Japanese life in the post-war period, receives an excellent release from the Criterion Collection.
Criterion once again showcases the prodigious talent of French writer and filmmaker Marcel Pagnol with their Blu-ray release of The Baker’s Wife (1938), considered to be his best film.
Recent disks from Indicator present a wide variety of styles and genres from bleak ’60s espionage to slick 1970s big studio exploitation, charming period comedy to enjoyable if less-than-scary horror.
More brief notes on recent random viewing choices; another mixed bag of classic fantasy, generic thrillers, dramas drawn form real life, spectacular martial arts and gritty war action, and a scattershot, off-the-wall satire by “the world’s worst living director”.
A round-up of recent reviewing across multiple genres – western, black comedy, musical, animation, road movie.
Recent viewing has included three pairs of movies – two Anime features from 2016 (In This Corner of the World and Your Name), two thrillers from 1967 and 1972 by English directors (Point Blank and Pulp), and a pair of gritty horror-tinged thrillers from 1979 and 1981 which transcend their exploitation roots (The Driller Killer and Ms. 45).
By turns funny and frightening, gripping and frustrating, David Lynch’s revival of Twin Peaks is a prodigiously inventive television epic.
Very brief comments on several dozen disks viewed over the past few months.
An eclectic assortment of recent viewing, including an obscure short feature from England, a couple of westerns old and new, and a pair of Elmore Leonard adaptations.
More notes on recent viewing, from a sadistic thriller to emotionally resonant anime, from a literary adaptation to two investigations of racism in America.
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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