Arrow Video has quickly become one of my favourite sources for both genre and “art” films, with impressive editions of a wide range of titles; most recently I’ve been immersing myself in some of their horror releases.
There’s no connection between the cute CG bear in Paddington and the likable stoner detective in Inherent Vice, other than the fact they are at the centre of two of the most entertaining movies to be released recently.
Recent Blu-rays from Twilight Time are as eclectic as ever. A couple of mainstream Hollywood classics; an oddball excursion into pulp by one of the great Hollywood directors; and a devastating animated fable by a Japanese-American filmmaker based on a very English graphic novel.
Criterion’s Blu-ray of Kihachi Okamoto’s The Sword of Doom (1966) provides a spectacular transfer of this difficult, idiosyncratic samurai film. In the finest performance of his career, the versatile Tatsuya Nakadai provides one of the screen’s great depictions of madness.
The collector is attracted to more than just the movie itself; there’s a desire to heighten and amplify the experience of watching by surrounding it with tangible things which can serve as reminders of the experience of the movie. Shelves of special editions make us feel more connected to the movies we love.
Styles of movie horror have evolved, a process well-illustrated by comparing several new releases – John Erick Dowdle’s As Above, So Below and Mike Flanagan’s Oculus, for instance – with the seven features in the second Vincent Price Collection from Shout! Factory.
Despite perennial predictions of the demise of movies-on-disk, 2014 offered a rich and varied selection of new and old titles in often impressive editions from many different companies, though not necessarily from major distributors. The cream came from specialty labels like Criterion, the BFI, Arrow, Eureka/Masters of Cinema, Shout! Factory, Olive Films, Kino Lorber, Flicker Alley and Twilight Time.
Val Guest instills story and characters with gripping realism in The Day the Earth Caught Fire, one of the greatest of all British science fiction movies, now released in an excellent Blu-ray edition by the BFI.
Clive Barker’s second feature as a director was taken over by studio people who didn’t like the film he was making and ended up a crippled box office failure; Shout Factory has now released a “director’s cut”, more or less restored to Barker’s original intentions, which goes some way – though not all the way – towards making it an interesting horror fantasy.
The Criterion Collection resurrects Monte Hellman’s two radical, innovative westerns from the mid-’60s, The Shooting and Ride In the Whirlwind, for a stunning Blu-ray double bill supported by a substantial set of special features.