Back to the ’70s

Waldo and Axel (Bo Svenson) practive wing-walking in George Roy Hill's The Great Waldo Pepper (1975)

Revisiting movies from the early 1970s, I recently watched Howard W. Koch’s rather ugly cop feature Badge 373 (1973), with Robert Duvall as a rule-breaking, racist misogynist NYC detective; Willard (1971), Daniel Mann’s adaptation of Stephen Gilbert’s dark horror novel Ratman’s Notebooks; and two features by George Roy Hill, his faithful adaptation of Kurt Vonnegut Jr’s Slaughterhouse-Five (1972) and his most personal, and best, film The Great Waldo Pepper (1975).

Looking back …

A summer camp trick goes wrong in the prologue of Tony Maylam's slasher The Burning (1980)

A lot of my recent viewing has been catching up on a range of movies from the ’60s through the ’80s, some of which I saw when they were first released, while others weren’t accessible to me at the time. These include some foreign classics … and quite a bit of trash.

Seeing in the New Year

Baron Samedi (Don Pedro Colley) finds setting zombies on gangsters enormously amusing in Paul Maslansky's Sugar Hill (1974)

This year’s New Year’s Eve movie binge with my friend Steve spanned from ’50s 3D Red Menace sci-fi to ’70s blaxploitation horror to a political thriller about right-wing apocalyptic political paranoia which, while dating from 1972, suggested the atmosphere of the coming 2020 presidential election year.

Wim Wenders’ Until the End of the World (1991):
Criterion Blu-ray review

Claire discovers hidden memories through her recorded dreams in Wim Wenders' Until the End of the World (1991)

Wim Wenders’ most ambitious film, Until the End of the World (1991) was a huge commercial failure when released in 1991 in a severely truncated version; the almost five-hour director’s cut gets a stunning restoration on Criterion’s two-disk Blu-ray release – visually gorgeous, fascinating and frustrating, this sci-fi epic now looks prescient in its depiction of our solipsistic attachment to out personal electronic devices.

Boxed In

The vampire curse spreads in Gerardo De Leon's The Blood Drinkers (1964)

From trash to art, boxed sets enhance the viewing experience by providing a broader context for individual movies – here, four more features from William Castle, The Trilogy of Life by Pier Paolo Pasolini, and a grab bag of five horrors from poverty row distributor Hemisphere.