Indicator’s Columbia Noir #2 box set presents another six movies, hovering between A and B pictures, from the late ’40s to late ’50s. Crime, romance and a society shaken in the aftermath of the Second World War provide a background for portraits of characters torn by guilt, paranoia, betrayal and moral uncertainty.
Universal’s series of minor B-movies based on Simon & Schuster’s line of fiction and NBC’s long-running radio show called Inner Sanctum gave third-string horror star Lon Chaney Jr. a brief opportunity to get away from the monsters he played in the 1940s. Despite a low critical reputation, these atmospheric little movies are quite entertaining and receive a nice showcase in Eureka’s two-disk Blu-ray set.
Criterion’s new release showcases Jacques Rivette’s most playful feature, Celine and Julie Go Boating (1974), with a terrific transfer and exhaustive (and exhausting!) supplements, including a an illuminating commentary by Adrian Martin and a second disk containing four-and-a-half hours of documentaries and interviews.
Recent releases from Eureka/Masters of Cinema showcase a range of Chinese martial arts movies, from Sammo Hung’s traditional The Iron-Fisted Monk (1977) to Tsui Hark’s genre redefining Once Upon a Time in China trilogy (1991-92) to Ricky Lau’s horror-comedy Mr. Vampire (1985) and Ronny Yu’s visually ravishing fantasy The Bride With White Hair (1993).
Indicator have done their usually exemplary job with a pair of recent box sets – one devoted to the five Fu Manchu movies written and produced by Harry Alan Towers in the late 1960s, all starring Christopher Lee in racial drag; the other showcasing six films from Columbia Pictures rather loosely gathered together and labelled film noir.
Indicator continue to release exemplary editions of a wide range of movies, from obscure genre titles to classics to exploitation and occasional failed experiments. Recent viewing ranges from Max Ophuls’ exquisite domestic noir The Reckless Moment (1949) to Blake Edwards’ taut thriller Experiment in Terror (1962) and Arthur Lubin’s surprisingly good Gothic romance Footsteps in the Fog (1955).