Sex-Death-Exploitation-Art

Jörg Buttgereit’s transgressive films are notorious for their gore and disturbing subject matter – murder, suicide, necrophilia – yet for all their graphic exploitation imagery, they display genuine artistry and a serious perspective on life, death and the emotional and psychological ties which bind being and non-being.

A Kino Lorber miscellany

Everything begins to look suspicious to Jane (Pamela Franklin) in Robert Fuest's And Soon the Darkness (1970)

In the past few years Kino Lorber has become one of the most prolific disk producers with a remarkably varied catalogue representing every imaginable genre. Here, I look at a half dozen KL releases by a range of interesting directors – Robert Fuest, Ken Russell, Alain Robak, Harold Becker, Don Siegel and Sam Peckinpah.

Indicator’s Hammer Vol. 4: Faces of Fear

... at the perfect body (Michael Gwynn) the Baron (Peter Cushing) has fashioned for him in Terence Fisher's The Revenge of Frankenstein (1958)

With Hammer Vol. 4: Faces of Fear, Indicator continue to prove themselves one of the finest companies producing exceptional Blu-ray editions of a wide variety of genres. This new set includes three of the studio’s finest features, each very different from the others, plus an interesting misfire. As always, there’s an almost overwhelming quantity of supplementary material to provide background and critical assessments for each film.

Back to the ’70s

Waldo and Axel (Bo Svenson) practive wing-walking in George Roy Hill's The Great Waldo Pepper (1975)

Revisiting movies from the early 1970s, I recently watched Howard W. Koch’s rather ugly cop feature Badge 373 (1973), with Robert Duvall as a rule-breaking, racist misogynist NYC detective; Willard (1971), Daniel Mann’s adaptation of Stephen Gilbert’s dark horror novel Ratman’s Notebooks; and two features by George Roy Hill, his faithful adaptation of Kurt Vonnegut Jr’s Slaughterhouse-Five (1972) and his most personal, and best, film The Great Waldo Pepper (1975).

Looking back …

A summer camp trick goes wrong in the prologue of Tony Maylam's slasher The Burning (1980)

A lot of my recent viewing has been catching up on a range of movies from the ’60s through the ’80s, some of which I saw when they were first released, while others weren’t accessible to me at the time. These include some foreign classics … and quite a bit of trash.

Seeing in the New Year

Baron Samedi (Don Pedro Colley) finds setting zombies on gangsters enormously amusing in Paul Maslansky's Sugar Hill (1974)

This year’s New Year’s Eve movie binge with my friend Steve spanned from ’50s 3D Red Menace sci-fi to ’70s blaxploitation horror to a political thriller about right-wing apocalyptic political paranoia which, while dating from 1972, suggested the atmosphere of the coming 2020 presidential election year.

Wim Wenders’ Until the End of the World (1991):
Criterion Blu-ray review

Claire discovers hidden memories through her recorded dreams in Wim Wenders' Until the End of the World (1991)

Wim Wenders’ most ambitious film, Until the End of the World (1991) was a huge commercial failure when released in 1991 in a severely truncated version; the almost five-hour director’s cut gets a stunning restoration on Criterion’s two-disk Blu-ray release – visually gorgeous, fascinating and frustrating, this sci-fi epic now looks prescient in its depiction of our solipsistic attachment to out personal electronic devices.

Boxed In

The vampire curse spreads in Gerardo De Leon's The Blood Drinkers (1964)

From trash to art, boxed sets enhance the viewing experience by providing a broader context for individual movies – here, four more features from William Castle, The Trilogy of Life by Pier Paolo Pasolini, and a grab bag of five horrors from poverty row distributor Hemisphere.