Random viewing, short takes

Sennia Nanua gives a riveting performance as Melanie, The Girl with All the Gifts (Colm McCarthy, 2016)

A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).

More late winter viewing, part two

An experimental serum revives and mutates dead soldiers in Julius Avery's Overlord (2018)

Style trumps substance in several recently viewed movies: from Stefano Sollima’s troubling depiction of mythic threats on the U.S. southern border in Sicario: Day of the Soldado (2018) to Julius Avery’s disappointing exploitation of World War Two horrors for cheap thrills in Overlord (2018), from Drew Goddard’s ersatz Tarantino-like narrative play in Bad Times at the El Royale (2018) to Kenneth Branagh’s glossy rehash of Agatha Christie’s Murder on the Orient Express (2017).

More late winter viewing, part one

Be scared or laugh? Walking alien slime mold in Kinji Fukasaku's The Green Slime (1968)

Entertainment knows no bounds in terms of style or quality: recent viewing ranges from Walter Hill’s gripping Vietnam allegory Southern Comfort (1981) to Kinji Fukusaku’s pulp sci-fi The Green Slime (1968), from Richard Franklin’s Ozploitation horror Patrick (1978) to Robert Amram’s perplexing End Times “documentary” The Late Great Planet Earth (1979).