Action | Cagey Films

Interesting releases from Australia’s Imprint

Posted on September 6, 2023September 5, 2023 by Kenneth George Godwin

Will Graham (Clive Owen) conbtemplates the futility of violence in Mike Hodges' I'll Sleep When I'm Dead (2002)

The Australian company Imprint has been releasing extras-laden special editions on Blu-ray of movies which strangely remain elusive in North America. Among some recent acquisitions are Mike Hodges’ I’ll Sleep When I’m Dead (2002), Barbet Schroeder’s Charles Bukowski-scripted Barfly (1987), a minor but interesting B-movie by prolific journeyman Lesley Selander, The Catman of Paris (1946), and Walter Hill’s The Warriors (1979), thankfully in a two-disk set which includes the superior theatrical cut as well as the misconceived “ultimate director’s cut” from 2005.

Recent Asian releases from Eureka

Posted on August 2, 2023July 29, 2023 by Kenneth George Godwin

Disillusioned Christians Shiro Amakusa (Kenji Sawada) and Hosokawa Gracia (Akiko Kana) return from the dead to seek revenge in Kenji Fukasaku's Samurai Reincarnation (1981)

Eureka, and their specialty label Masters of Cinema, continue to release a range of Asian films, from pulp action to classical tragedy. Among recent releases are a two-disk set of four sequels to Rickay Lau’s Mr. Vampire (1985), Cynthia Rothrock’s first lead role in Mang Hoi & Corey Yuen’s Lady Reporter (1989), and a pair of very different samurai epics: Tadashi Imai’s bleak dissection of the Bushido code in Revenge (1964) and Kenji Fukasaku’s mix of history and supernatural horror in Samurao Reincarnation (1981).

Carl Franklin’s One False Move (1992): Criterion Blu-ray review

Posted on July 26, 2023July 25, 2023 by Kenneth George Godwin

Fantasia (Cynda Williams) just wants to get home to see her child in Carl Franklin's One False Move (1992)

One False Move (1992), a slow-burn character study of small-time criminals and a small-town cop punctuated by disturbing burst of violence, gave Tom Paxton his best role and launched the careers of director Carl Franklin and writer-actor Billy Bob Thornton. This low-budget independent production gets an impressive restoration from the Criterion Collection in a dual-format 4K UHD/Blu-ray release.

The amateur passion of Michael J. Murphy

Posted on July 12, 2023July 11, 2023 by Kenneth George Godwin

Director Alistair (Patrick Oliver) assumes the identity of the killer in his own movie in Michael J. Murphy's Bloodstream (1985)

Although I’ve so far only watched four of the ten disks in Indicators monumental Magic, Myth & Mutilation: The Micro-Budget Cinema of Michael J. Murphy 1967-2015, it’s time to say a few words about this remarkable English outsider artist whose ambition consistently outpaced limited resources; the set is an amazing act of recovery and preservation of a body of work which has survived only in compromised form, covering multiple genres and displaying the development of a genuine filmmaking talent. The most impressive release yet from one of the world’s finest companies.

Action and politics in ’70s thrillers

Posted on May 31, 2023May 30, 2023 by Kenneth George Godwin

Nice large-scale miniatures in Andrew V. McLaglen's North Sea Hijack (1980)

Thrillers may exploit real-world issues for story material, but often distort and trivialize reality in their quest to entertain. The terrorism which erupted and spread during the 1970s is used in quite different ways in Otto Preminger’s Rosebud (1975), John Frankenheimer’s Black Sunday (1976) and Andrew V. McLaglen’s North Sea Hijack (1980).

What I haven’t been writing about

Posted on May 24, 2023May 24, 2023 by Kenneth George Godwin

Mia Goth as a porn actress who encounters a rural killer in Ti West's X (2022)

Although I write regularly here about the movies I watch, there are a lot more I don’t get around to mentioning – the reasons for what write about or ignore are not entirely clear.

Seijun Suzuki’s Branded to Kill (1967): Criterion Blu-ray review

Posted on May 20, 2023May 19, 2023 by Kenneth George Godwin

Misako (Annu Mari) lures Hanada (Joe Shishido) into danger in Seijun Suzuki's Branded to Kill (1967)

Criterion’s new dual-format release of Seijun Suzuki’s Branded to Kill (1967) showcases a 4K transfer of this radical deconstruction of the yakuza genre starring the idiosyncratic Joe Shishido as hit man who finds himself disappearing down a rabbit hole of paranoia and violence.

Death and madness from Indicator

Posted on April 5, 2023April 4, 2023 by Kenneth George Godwin

Marshal Frank Patch (Richard Widmark) keeps an eye on a small western town in Death of a Gunfighter (1969)

A pair of recent Indicator releases resurrect a couple of all-but forgotten features with major stars. Richard Widmark plays a Western lawman whose time has passed in Death of a Gunfighter (1969), the first movie credited to phantom director Alan Smithee, while George C. Scott is a former New York judge dealing with grief by taking on the identity of Sherlock Holmes; his therapist just happens to be named Dr. Watson (Joanne Woodward).

Recent Severin viewing

Posted on March 22, 2023March 22, 2023 by Kenneth George Godwin

Alice Campos (Florinda Bolkan) searches for her own past in Luigi Bazzoni’s Le Orme (Footprints on the Moon [1975])

It’s taken me a while to work through some of the many Severin box sets that have been piling up over the past year – the folk horror set All the Haunts Be Ours, House of Psychotic Women and the latest set of Italian movies Violent Streets: The Umberto Lenzi/Tomas Milian Collection – along with some 4K special editions of movies by Dario Argento and Alex de la Iglesia.

Recent Arrow releases, part two

Posted on March 15, 2023March 15, 2023 by Kenneth George Godwin

But once hired, Jack (Clive Owen)'s addiction to watching losers kicks in in Mike Hodges' Croupier (1997)

More recent releases from Arrow: Nightmare at Noon (1988), a horror-thriller from prolific Greek filmmaker Nico Mastorakis; The Righteous (2021), a bleak, Bergman-influenced study of guilt and grief with supernatural intimations from Newfoundland actor/filmmaker Mark O’Brien; and a superb hi-def restoration of Mike Hodges’ late career masterpiece Croupier (1997) in a two-disk set which includes an engaging documentary in which the 89-year-old filmmaker reminisces about his life and career.

Tag: Action