More recent releases from Arrow: Nightmare at Noon (1988), a horror-thriller from prolific Greek filmmaker Nico Mastorakis; The Righteous (2021), a bleak, Bergman-influenced study of guilt and grief with supernatural intimations from Newfoundland actor/filmmaker Mark O’Brien; and a superb hi-def restoration of Mike Hodges’ late career masterpiece Croupier (1997) in a two-disk set which includes an engaging documentary in which the 89-year-old filmmaker reminisces about his life and career.
Indicator start the new year with some impressive Blu-ray sets, including a massive 10-disk tribute to amateur filmmaker Michael J. Murphy whose five-decade career produced three dozen features in multiple genres; a two-disk set of the first two adventures of Mexico’s most famous masked wrestler, Santo, which includes a fascinating history of popular cinema in Mexico; and another two-disk set with three different cuts of Sergio Sollima’s first western, The Big Gundown (1967).
Three recent releases blend reality and fiction to explore political themes, with varying success. Alain Jessua’s Les Chiens (1978) is an allegory of Fascism, while Jean-Claude Lord’s Mindfield (1989) and Jayro Bustamante’s La llorona (2019) are both rooted in real crimes, the former turning history into pulp entertainment, the latter into a haunting exploration of national trauma.
Vinegar Syndrome wraps up 2022 with a very mixed bag of releases, including no less than four grubby, bottom-of-the-barrel slasher movies, a dynamic Hong Kong martial arts movie, and loaded special editions of Freeway (1996), Matthew Bright’s reworking of Little Red Riding Hood as serial killer black comedy, and Rowdy Herrington’s red-neck action-romance Road House (1989).
A few more comments on recent viewing, which includes a couple of interesting older horror movies and two overblown recent Hollywood blockbusters.
A few notes about disks from a couple of companies I’ve previously had little experience with – 88 Films and 101 Films, both from the UK – plus three box sets from Arrow.
Soon after Hong Kong was handed back to China by Britain, filmmakers Andrew Lau Wai-keung and Alan Mak embarked on an ambitious project to revitalize a film industry in disarray. The result was the Infernal Affairs trilogy, which has its roots in the HK action movies of the 1980s, using familiar narrative tropes as a springboard for a complex meditation on identity amidst new political and economic uncertainties. Criterion’s three-disk Blu-ray set showcases the trilogy with an array of new and archival extras.
A quick survey of four dozen disks watched over the summer months.
As usual, there’s no coherent pattern to what I spend my time watching. In the past few months, I given my overtaxed attention to quite a few movies from the ’70s and ’80s – British sex comedies and cop movies, Italian gialli, French and Spanish thrillers, Chinese martial arts movies and an Australian superhero musical – plus a pair of recent Korean action movies and two ultra-low-budget do-it-yourself movies from the ’90s.
Cauldron Films casts a wide net with their recent releases: Contraband (1980), a violent thriller by Lucio Fulci, is joined by Eloy de la Iglesia’s homage to A Clockwork Orange, Murder in a Blue World (1973), Jordan Graham’s mysterious folk horror Sator (2019) and Karoly Ujj Meszaros wistful Hungarian fantasy Liza the Fox Fairy (2015).