Some more brief comments on recent viewing: classic horror, Italian crime action from Umberto Lenzi, gender-bending art from France and exploitation from Australia, the U.S. and the Philippines.
Post-Op, weeks two and three
Category: Review
Post-Op, week one
A week of intensive viewing following surgery provides a mix from classics to trash and everything in between – crime, horror, sci-fi, art and exploitation.
Sergei Bondarchuk’s War and Peace (1966-67):
Criterion Blu-ray review
Criterion’s two-disk Blu-ray release of Sergei Bondarchuk’s War and Peace showcases a restoration of what may well be the most expensive film ever made. Truly epic in scale, this adaptation of Tolstoy’s revered novel balances awe-inspiring spectacle with emotionally charged character drama. The 7+ hour feature is supplemented with three hours of informative new and archival extras.
Miscellaneous viewing – Summer 2019
Recent viewing includes a stark western (compared to the work of Dreyer by Bertrand Tavernier), an entertaining adventure souffle from frequent collaborators John Huston and Humphrey Bogart, and a ground-breaking satirical drama from Robert Aldrich which dealt sympathetically with lesbianism in the late 1960s.
Recent Brit disks, part two
Recent viewing features stylized violence, classic martial arts, western noir and political Ozploitation on more disks from England
Random viewing, short takes – part two
More Italian genre movies from the 1970s – horror, giallo and poliziotteschi – along with a gritty American exploitation movie which owes something to the giallo.
Recent Brit disks
Recent viewing includes an obscure arty film by the producer of Blow-Up and a pair of lesser known horrors from the heyday of British Gothic.
William Wyler’s The Heiress (1949): Criterion Blu-ray review
Criterion’s new Blu-ray offers a superb presentation of William Wyler’s greatest film, The Heiress (1949), a subtle yet scathing dissection of the ways in which money distorts and destroys human relationships.
Random viewing, short takes
A decidedly mixed bag of recent viewing; a pair of young adult zombie stories — the Maze Runner Trilogy (2014-18) and the small-scale The Girl with All the Gifts (2016); a taut ’50s prison escape noir (Crashout, 1955) and a polished new crime noir (Dragged Across Concrete, 2018); a minor, dull thriller (All the Devil’s Men, 2018); and a bloated, enervatingly pretentious remake of a genre classic (Suspiria, 2018).
More from Indicator
Recent disks from Indicator present a wide variety of styles and genres from bleak ’60s espionage to slick 1970s big studio exploitation, charming period comedy to enjoyable if less-than-scary horror.
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