My collecting obsession leads me to Arrow’s Ring Collection — Hideo Nakata’s hugely influential Ringu (1998), two divergent sequels, George Iida’s Spiral (1998) and Nakata’s own Ring 2 (1999), plus the prequel Ring 0: Birthday (2000). While the three follow-up movies can’t match the effectiveness of the original, Arrow present them all in excellent transfers, with a lot of supportive extras.
Criterion’s new Blu-ray of Michael Radford’s 1984 (1984) offers an impressive 4K restoration of this grim and gritty dystopian fantasy faithfully adapted from George Orwell’s novel.
Three movies from producer-director Stanley Kramer, spread across two decades, highlight his liberal sensibilities … and expose the limits of that liberalism in the face of a messy world.
Yet more recent random viewing: Joseph L. Mankiewicz’s movie-biz tragedy The Barefoot Contessa (1954); Lucio Fulci’s first and (almost) last gialli, One on Top of the Other aka Perversion Story (1969) anf The New York Ripper (1982); Ivan Nagy’s oddly poetic serial killer movie Skinner (1993); and some cheap bargains from the local drugstore.
More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).
A random selection of recent viewing, from Nazi propaganda to British Angry Young Men, from classic sci-fi to the 1960s revival of a French criminal mastermind as slapstick pastiche.
Produced by George Pal and directed by Byron Haskin, The Power (1968) is a low-key sci-fi thriller with a strong cast and a no-nonsense style, which was barely noticed when it was released in the same year as 2001: A Space Odyssey and Planet of the Apes.
The late Peter Fonda briefly interrupted his acting career in the 1970s by directing three features, only the first of which is recognized now as a classic: The Hired Hand (1971). But the second, a no-budget science fiction movie called Idaho Transfer (1973), deserves to be rediscovered both for its sparely poetic treatment of time travel and its prescient vision of imminent ecological catastrophe. Unfortunately, it can now only be viewed as a lo-res, open-matte YouTube video.
Recent Blu-rays from Indicator serve up a feast of British exploitation horror with Bloody Terror, a lavish box set of five features (1976-87) by Norman J. Warren. plus Richard Marquand’s first feature, The Legacy (1978).
Two modest documentaries delve into the compulsion to create and the fraught relationship between creator and creation.
Kenneth George Godwin, Film Editor
I have been editing a wide range of film and video projects, both documentary and drama, for two-and-a-half decades. I started at the Winnipeg Film Group, cutting on Steenbeck 16mm flatbeds, adopted Avid in 1995, and have used FinalCut Pro quite extensively over the past ten years. Projects I have worked on have screened – and won awards – at festivals around the world.read more >>
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