My collecting obsession leads me to Arrow’s Ring Collection — Hideo Nakata’s hugely influential Ringu (1998), two divergent sequels, George Iida’s Spiral (1998) and Nakata’s own Ring 2 (1999), plus the prequel Ring 0: Birthday (2000). While the three follow-up movies can’t match the effectiveness of the original, Arrow present them all in excellent transfers, with a lot of supportive extras.
Yet more recent random viewing: Joseph L. Mankiewicz’s movie-biz tragedy The Barefoot Contessa (1954); Lucio Fulci’s first and (almost) last gialli, One on Top of the Other aka Perversion Story (1969) anf The New York Ripper (1982); Ivan Nagy’s oddly poetic serial killer movie Skinner (1993); and some cheap bargains from the local drugstore.
More random viewing: two obscure independent films from the BFI, Margaret Tait’s poetic Blue Black Permanent (1992) and Maurice Hatton’s gritty fake-umentary about the film business, Long Shot (1977); and three from Twilight Time – George Sluizer’s interesting Americanization of his existential thriller The Vanishing (1993), Terrence Young’s straightforward fact-based crime saga The Valachi Papers (1972), and D.W. Griffith’s monumental but deeply troubling Birth of a Nation (1915).
The late Peter Fonda briefly interrupted his acting career in the 1970s by directing three features, only the first of which is recognized now as a classic: The Hired Hand (1971). But the second, a no-budget science fiction movie called Idaho Transfer (1973), deserves to be rediscovered both for its sparely poetic treatment of time travel and its prescient vision of imminent ecological catastrophe. Unfortunately, it can now only be viewed as a lo-res, open-matte YouTube video.