Echoes of Mario Bava’s Black Sunday in the first appearance of Selma (Rita Macedo) in Rafael Baledón’s The Curse of the Crying Woman (1963)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
2020: Year-End Thoughts
More late winter viewing, part two
Sinatra x 2
Stanley Kramer and the limits of liberalism
Comments