Echoes of Mario Bava’s Black Sunday in the first appearance of Selma (Rita Macedo) in Rafael Baledón’s The Curse of the Crying Woman (1963)
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Organized crime, political corruption and bourgeois complicity: four Italian Mafia movies
Agnes Varda’s passion for life
Peter Fonda’s Idaho Transfer (1973)
Grindhouse rediscovery: Christina Hornisher’s Hollywood 90028 (1973)
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