The fun is already fraught with tension on a rollercoaster in George A. Romero’s The Amusement Park (1975)
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The 5th Hong Kong International Film Festival, part two
Remaking and undoing horror
Dorothy Arzner’s Merrily We Go to Hell (1932): Criterion Blu-ray review
Aussie horror and Mexican luchadores and luchadoras from Indicator
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