Location might not be everything, but it makes up for a lot of shortcomings in Mario Bianchi’s Satan’s Baby Doll (1982)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Found-footage Horror
Recent disks from England, part two
Byron Haskin’s The Power (1968)
Elia Kazan’s A Face in the Crowd (1957): Criterion Blu-ray review
Comments