An inventive use of the two primary colours available in early Technicolor in "Monterey" in John Murray Anderson's King of Jazz (1930)

An inventive use of the two primary colours available in early Technicolor in “Monterey” in John Murray Anderson’s King of Jazz (1930)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

Trashy Brit horrors

CarFree premiere

Winnipeg’s vanished movie theatres

Murder, robbery and paranormal activity: three new releases